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In Memory of
Dennis Yost, of the Classics IV
1943 - 2008
Bill
Lowery’s career in the music business spans the latter half of the
twentieth century and is unparalleled within the Georgia music scene. He
was an obvious choice to be one of the original recipients, along with
legendary singer Ray Charles, of the Georgia Music Hall of Fame’s very
first Georgy® Award in 1979. His presence as a music publisher
industry-wide has been immense with hit songs to compete with record
labels and publishing firms in New York or Los Angeles. Among those
songs, “I Never Promised You a Rose Garden,” written by Lowery artist
Joe South and made popular by Lynn Anderson, and “Traces” a hit for
Atlanta’s Classics IV, are on the BMI list of 50 most-played songs. In
fact, during 1971, “Rose Garden” was BMI’s most performed song.
While still a teenager, Lowery worked in radio markets around the
southeast, including Shreveport, La., McComb, Miss., Hot Springs, Ark.
and Elizabethon, Tenn., before coming to Atlanta. At just 21 years old,
he had become the youngest station manager in American radio. In Atlanta
he worked for WGST and WQXI. Together with associate Dennis "Boots"
Woodall, Lowery formed Lowery Music Company and became involved in
independent record production and promotion. Lowery Music Co. Inc.
received its BMI license on October 1, 1952. With rock ’n roll still in
its infancy in 1956, Gene Vincent’s “Be Bop-A-Lula” became the Lowery
Music companies’ first million seller. The following year, another
Lowery-published tune, “Young Love,” reached number one for both Tab
Hunter and Sonny James. Since then the Lowery Music catalog has grown to
more than 5,000 titles and encompasses nearly every type of music.
Lowery once explained his early motivation for working in the industry
to an interviewer, “… I really felt the need of a music publisher in the
city of Atlanta when I started and I was right. Nashville wasn’t really
a very big thing except for country music and there was no place to go
with pop music.”
Lowery also had strong ideas about the type of songs he wanted, “I
always liked songs that had hope and dreams and aspirations and if it
didn’t have that, then I didn’t really want them,” he commented.
Early in his career, he received offers to move his operation elsewhere
and was told he really needed to be in Nashville or, even Chicago, if
not New York or Los Angeles, to really be successful. But he never
wavered from his belief that Atlanta could be a music city.
“Hubert Long wanted me to move to Nashville. Hubert [managed] Faron
Young, Bill Anderson, Hank Snow and a number of big country acts and he
wanted me to run the publishing and he would take care of the acts,
because we had a number of acts that would have been good for Nashville
at that time. But I told him…‘I just couldn’t leave Atlanta.’”
Over the years Bill Lowery wore many hats in and around the music
industry. In addition to his publishing concerns, he owned the very
successful Southern Tracks Recording. He was a record company president,
an artist manager, an early ‘indie’ record producer, served (twice) as
National President of NARAS, was a board member and director of the
Country Music Association, president of the Country Music Foundation,
and member of the board of the National Music Publishers Association. He
was inducted into the Country Music DJ Hall of Fame in 1984.
Once asked what he felt his legacy would be Lowery commented, “…I hope
it will be that I contributed…to making the music business a better
music business.”
In 1999 Lowery Music was sold to the Sony Corporation. Bill Lowery
passed away in 2004, and his son Butch continues to oversee Bill Lowery
Music, a new publishing company; Southern Tracks, the recording studio
he founded; Southern Tracks Records; and the Bill Lowery Foundation,
which supports music education in Georgia.
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